{"id":3349,"date":"2022-09-01T09:00:34","date_gmt":"2022-09-01T09:00:34","guid":{"rendered":"https:\/\/misteriodeobanos.org\/?p=3349"},"modified":"2022-09-07T08:41:23","modified_gmt":"2022-09-07T08:41:23","slug":"iii-national-choral-competition-of-medieval-and-renaissance-music-arnotegui","status":"publish","type":"post","link":"https:\/\/misteriodeobanos.org\/en\/iii-national-choral-competition-of-medieval-and-renaissance-music-arnotegui\/","title":{"rendered":"III NATIONAL CHORAL COMPETITION OF MEDIEVAL AND RENAISSANCE MUSIC ARNOTEGUI"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\">III NATIONAL CHORAL COMPETITION OF MEDIEVAL AND RENAISSANCE MUSIC ARNOTEGUI<\/h2>\n<p style=\"text-align: center;\">17 September 20:00 in the church of Obanos<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>PARTICIPANTS:<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;3325&#8243; img_size=&#8221;large&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h3><span style=\"color: #ff0000;\">Aizaga Chamber Choir (Pamplona)<\/span><\/h3>\n<p>[\/vc_column_text][vc_column_text]<strong>REPERTORY:<\/strong><\/p>\n<p><strong>Ay triste que vengo<\/strong> (Cancionero de Palacio)<\/p>\n<p>Juan dell\u2019Enzina, S. XV-XVI \/(3:00)<\/p>\n<p><strong>Tr\u00edptico<\/strong> (Cancionero de Palacio)<\/p>\n<p>So ell encina, Pase el agoa, Dindirindin\u00a0 An\u00f3nimos, S. XV-XVI \/ (2:10)<\/p>\n<p><strong>Il bianco e dolce cigno<\/strong><\/p>\n<p>J. Arcadelt, S. XVI \/ (2:10)<\/p>\n<p><strong>Mariam Matrem Virginem<\/strong><\/p>\n<p>Michael McGlynn, inspirado en melod\u00eda Llibre Vermell , S. XIV \/ (4:10)<\/p>\n<p><strong>Media Vita<\/strong>.<\/p>\n<p>Michael McGlynn, inspirado en la composici\u00f3n del monje Notker, S. X \/ (4:00)<\/p>\n<p><strong>Teresica Hermana<\/strong><\/p>\n<p>Mateo Flecha, S. XVI \/ (1:50)[\/vc_column_text][vc_empty_space height=&#8221;64px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;3332&#8243; img_size=&#8221;large&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h3><span style=\"color: #ff0000;\"><strong>Vexilla Regis (Zaragoza)<\/strong><\/span><\/h3>\n<p>[\/vc_column_text][vc_column_text]<strong>REPERTORY:<\/strong><\/p>\n<p><strong>Ay triste que vengo <\/strong><\/p>\n<p>Juan dell\u2019Enzina (1468-1529) (Cancionero de Palacio) Transcripci\u00f3n de Fernando J\u00e1come \/ (3:00)<\/p>\n<p><strong>Domine Iesu Christe <\/strong><\/p>\n<p>Melchor Robledo (ca. 1510-1586). Transcripci\u00f3n de Aristotle Esguerra \/ (2:10)<\/p>\n<p><strong>Mariam matrem <\/strong><\/p>\n<p>An\u00f3nimo del Llibre Vermell de Montserrat (ca. 1390) Transcripci\u00f3n de Fernando J\u00e1come \/ (3:10)<\/p>\n<p><strong>Sumer is icumen in atribuido a John of Fornsete <\/strong><\/p>\n<p>(ca. 1226). Transcripci\u00f3n de Monique Rio\/ (2:20)<\/p>\n<p><strong>Sicut cervus, prima pars <\/strong><\/p>\n<p>Giovanni Pierluigi da Palestrina (ca. 1525-1594). Transcripci\u00f3n de Brian Marble \/ (2:40)<\/p>\n<p><strong>Con amores la mi madre de Juan de Anchieta <\/strong><\/p>\n<p>(1450-1523). Transcripci\u00f3n de Bob Chicott \/ (2:10)<\/p>\n<p><strong>Tourdion &#8211; Quand je bois du vin clairet, an\u00f3nimo, <\/strong><\/p>\n<p>arreglado y publicado en 1530 por Pierre Attaignant (1494- ca. 1551). Transcripci\u00f3n de Marco Gallo \/ (1:50)[\/vc_column_text][vc_empty_space height=&#8221;64px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;3339&#8243; img_size=&#8221;large&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h3><span style=\"color: #ff0000;\"><strong>Cor de Cambra Amalthea (Valencia)<\/strong><\/span><\/h3>\n<p>[\/vc_column_text][vc_column_text]<strong>REPERTORY:<\/strong><\/p>\n<p><strong>Ay triste que vengo (Cancionero de Palacio)<\/strong><\/p>\n<p>Juan dell\u2019Enzina, S. XV-XVI \/ (3:00)<\/p>\n<p><strong>Dezilde al Cavallero<\/strong><\/p>\n<p>N. Gombert (1495-1560) \/ (4:00)<\/p>\n<p><strong>Jesu Redemptor Omnium<\/strong><\/p>\n<p>Obra contempor\u00e1nea basada en el canto gregoriano J.R. Gil-T\u00e0rrega \/ (6:20)<\/p>\n<p><strong>Non rumor di tamburi<\/strong><\/p>\n<p>A. Striggio (1540-1592) \/ (2:00)[\/vc_column_text][vc_empty_space height=&#8221;64px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>JURY<\/strong>[\/vc_column_text][vc_column_text]D. Igor Ijurra<br \/>\n(Director Orfe\u00f3n Pamplon\u00e9s)<\/p>\n<p>D. Rabindranath Banerjee<br \/>\n(Director de la sociedad Haendel-Haydn)<\/p>\n<p>Do\u00f1a Sandra Santesteban<br \/>\n(Miembro del Orfe\u00f3n Pamplon\u00e9s)<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>PRESENTERS<\/strong>[\/vc_column_text][vc_column_text]David Carrero<br \/>\nNoelia Hualde<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>SPECIAL CONTRIBUTION<\/strong>[\/vc_column_text][vc_column_text]Pamplona Chamber Choir[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>ORGANISED BY<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;1644&#8243; img_size=&#8221;large&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]Obanos Mystery Foundation[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>PATROCINAN<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;1660&#8243; img_size=&#8221;large&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]Obanos Town Council[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;1659&#8243; img_size=&#8221;large&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]Church of San Juan Bautista de Obanos[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;1662&#8243; img_size=&#8221;large&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]Brotherhood of Hermits of Arnotegui.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;1672&#8243; img_size=&#8221;large&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]Government of Navarre[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>COLLABORATE<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Julen Bidegain<br \/>\nSheyla Rehecho<br \/>\nPeluquer\u00eda Mar\u00eda Amor<br \/>\nJardiner\u00eda Valdizarbe<br \/>\nCarnicer\u00eda Recalde<br \/>\nCentro San Guillermo<br \/>\nBar Gazolaz<br \/>\nCarpinter\u00eda Ansorena<br \/>\nSetas y Champi\u00f1ones Go\u00f1i<br \/>\nCasa Rural Villaz\u00f3n<br \/>\nAgust\u00edn Aldaz<br \/>\nTaller Mec\u00e1nico Luan<br \/>\nTelman<br \/>\nConstrucciones Clemente<br \/>\nPeluqueria Mirian<br \/>\nElectricidad Irurtia[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;3359&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][vc_single_image image=&#8221;3363&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>III NATIONAL CHORAL COMPETITION OF MEDIEVAL AND RENAISSANCE MUSIC ARNOTEGUI<\/p>\n<p>17 September 20:00 in the church of Obanos<\/p>\n","protected":false},"author":1,"featured_media":3316,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[61,64],"tags":[],"class_list":["post-3349","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-contests","category-events"],"_links":{"self":[{"href":"https:\/\/misteriodeobanos.org\/en\/wp-json\/wp\/v2\/posts\/3349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/misteriodeobanos.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/misteriodeobanos.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/misteriodeobanos.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/misteriodeobanos.org\/en\/wp-json\/wp\/v2\/comments?post=3349"}],"version-history":[{"count":3,"href":"https:\/\/misteriodeobanos.org\/en\/wp-json\/wp\/v2\/posts\/3349\/revisions"}],"predecessor-version":[{"id":3367,"href":"https:\/\/misteriodeobanos.org\/en\/wp-json\/wp\/v2\/posts\/3349\/revisions\/3367"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/misteriodeobanos.org\/en\/wp-json\/wp\/v2\/media\/3316"}],"wp:attachment":[{"href":"https:\/\/misteriodeobanos.org\/en\/wp-json\/wp\/v2\/media?parent=3349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/misteriodeobanos.org\/en\/wp-json\/wp\/v2\/categories?post=3349"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/misteriodeobanos.org\/en\/wp-json\/wp\/v2\/tags?post=3349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}